5. The long Journey heading to the Utopia Collage on paper with black-and-white photographs and classical imagery
420 x 594 mm
Workshop at the National Gallery (Facilitator: Frances Copeman)

(2025)

This collage reflects on the complexities of striving for an ideal world. By juxtaposing classical masterpieces with contemporary black-and-white photographs, the work imagines a journey from present-day reality toward a distant, almost divine utopia—
one that might never be reached, but still holds value in the act of pursuit.







The long Journey heading to the UtopiaThis collage was created during a short but intense workshop, where participants were encouraged to build personal narratives using a selection of black-and-white photographs and historical paintings. The work explores the concept of Utopia—not as a fixed destination, but as a symbolic journey shaped by imagination, resistance, and hope.

As someone often reflecting on the repetitive structure of everyday life and the societal systems we live in, I turned to collage to reimagine a different path. The work blends iconic paintings from the National Gallery’s collection with present-day images, suggesting that we—contemporary figures—are slowly making our way toward an unattainable, almost mythical ideal.

By layering time, context, and imagery, the piece also questions whether Utopia can ever truly be reached, or if its true meaning lies within the journey itself. In doing so, it highlights the value of creative thinking as a form of quiet resistance and a method for reclaiming agency in a world that often feels predetermined.




The Challenges Along the WayIn the vast tapestry of human experience, the pursuit of Utopia is perhaps one of the most profound journeys one can undertake. This journey is not merely a physical endeavour, but a metaphysical quest, inviting individuals to explore the realms of their desires, aspirations, and the very essence of happiness.

Every journey is fraught with obstacles, and the path to Utopia is no exception. One may encounter societal norms that resist change, personal doubts that cloud judgment, or historical legacies that weigh heavily on progress. These challenges serve as both tests and teachers, shaping resilience and determination. It is essential to recognise that these adversities are not deterrents but rather integral components of the journey that enrich the experience and deepen one’s understanding of what it means to strive for a better world.


Ultimately, the long journey heading to Utopia is a testament to human resilience and creativity. It challenges individuals to confront their deepest desires and to strive for a world that reflects those aspirations. By embracing the complexities of this journey, one may find that Utopia is not a distant land but rather an evolving concept, shaped by the collective efforts of those who dare to dream and act. As we navigate this intricate path, let us remain committed to our ideals, for it is in the pursuit that we find our true selves.

Understanding UtopiaUtopia, a term that has evolved through the ages, often embodies the ideals of perfection. Yet, what constitutes perfection? Is it an absence of conflict, a society of equality, or perhaps a place where dreams are seamlessly woven into reality? As one embarks on this journey, it becomes imperative to define what Utopia means personally. Through introspection, one may discover that Utopia is less about a destination and more about the continuous endeavour towards self-betterment and societal harmony.


Henie Cho (Hyeyeon Cho)





10041618@network.rca.ac.uk
Instagram

Henie Cho (Hyeyeon Cho) is a graphic designer based in Seoul, Korea. A graduate of Kyung Hee University, she earned her degree from the Department of Political Science and International Relations. She then went on to study Visual Design at the graduate school of Hongik University. Currently, she is pursuing her MA in Visual Communication at the Royal College of Art (RCA) in London. As an artist, she focuses on the ways human psychology and the narratives of time arise and disappear from the spaces we inhabit, such as our cities or homes. Through exploring space as a physical medium, she reimagines it through humanistic interpretation and visual languages, ultimately in service of the ways design can connect everything.

CONTACT

Work →
Brand Strategy & Identity
Packaging
Editorial
Exhibition
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CV





Education
Royal College of Art,
London, UK
MA Visual Communication
(2024-2025)

Graduate School of Hongik University,
Seoul, Republic of Korea
MA Meta Design(Visual Communication)

*Dissertation*
A Psychological Exploration within the Spaces in <Kokoro>, Natsume Soseki
(2016-2018)

Kyunghee University,
Seoul, Republic of Korea
BA Political Science
(2010-2016)



Commission Projects & Exhibitions
Studio AAC & Freelancer
Creative Director & Operator
Seoul + London
(2021-Present)


Senior Designer, FAS Company
Brand Strategy, Brand Identity, Creative Direction, Cross-functional Collaboration
Seoul, Republic of Korea
(2023-2024)


Co-curation Coordinator,
‘22 Public Design Festival Exhibition
,
Seoul, Republic of Korea
(2022)


<Their Eyes>, Solo Exhibition
Seoul, Republic of Korea
(2019)


<tE13:Photography and Typography>, Korean Society of Typography
Group Exhibition,
Seoul, Republic of Korea
(2018)


<‘Reading Space’ of ‘Kokoro’, Natsume Soseki>, Master’s Graduation Exhibition of Hongik University, 
Seoul, Republic of Korea
(2017)


Typojanchi 2017: International Typography Biennale <Mohm>,
Assistant administrator
Seoul, Republic of Korea
(2017)


Participated in a Collaborative Project Exhibition, Typojanchi X Seoul Art Station, Seoul, Republic of Korea
(2017)


Senior Designer, Agreable
web Design
Seoul, Republic of Korea
(2021)


Junior Designer, Barrel
Web Design
(2018-2021)


Teaching Assistant,
Graduate School of Hongik Uiversity

Seoul, Republic of Korea
(2016-2018)



Scholarships & AwardsThe Deputy Vice Chancellor’s International Scholarship
Royal College of Art, MA Visual Communication,

Granted based on academic excellence and a top-ranked application.
(2024)


Merit Scholarship for three consecutive semesters
Graduate School of Hongik University, MA in Visual Communication Design
GPA: 4.31 / 4.5 (97.89 / 100)
(2016–2017)




Skills
Creative & Art Direction
-Design Direction
-Visual Storytelling
-Concept Development

Branding & Strategy
-Brand Identity Design
-Brand Strategy & Positioning
-Brand System Development

Graphic Design
-Editorial Design
-
Packaging Design
-Exhibition Design

-Digital & Print Design
-
Typography
-Illustration

Project & Team Collaboration
-Collaborative Project Management
-Cross-functional Communication
-Workshop Planning&Facilitation



Design Tools & Software
Adobe Creative Suite
(Photoshop, Illustrator, InDesign, After Effects, Premiere Pro, XD)

Figma








Last Updated 24.10.31